Soprano

#MariaCrushMonday

Χριστός ἀνέστη, Христос воскрес, and Happy Easter to those who celebrated yesterday!

Today, in honor of Easter in the Greek Orthodox religion, we will honor a certain Greek diva you may have heard of for our first ever #MariaCrushMonday, instead of our usual #SingerCrushSunday.  Maria Callas was a fearless diva who broke the mold of what an artist could and should be.  Her legacy as an artist, singer, and woman will forever leave a significant mark on the opera world.   Her life was quite dramatic on stage as well as off, and both her professional and personal lives had “lead roles” in the public eye.  She was nothing less than iconic, and Leonard Bernstein even said she was “the bible of opera.” Due to her celebrity status during her lifetime, she faced plenty of criticisms, and the media would report with their own negative opinions on her weight, her love life, her performances, rumors of temper tantrums backstage, etc.  She was often a target, but she was a strong woman, and handled all of it as gracefully as humanly possible.  Who do we remember today?  Callas, not her critics.

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#MariaCrushMonday aims to leave you with a notable quote from La Divina herself, and of course, a timeless operatic interpretation. This week we will be featuring “Vissi d’arte” which literally translates to “I lived for art” from Puccini’s Tosca, a role that is historically associated with Callas’ interpretation, and a character that is often described as courageous.

“You are born an artist or you are not. And you stay an artist, dear, even if your voice is less of a fireworks. The artist is always there.” ~Maria Callas

 

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So, today’s Singer Crush Sunday is short and sweet because of the electrifying excitement from the success of our diva this week (check out Kara Smoot, here).

We had to, just had to, feature two greats: the soprano Montserrat Caballé and mezzo-soprano Marylin Horne singing the Barcarolle from Les contes d‘Hoffman, “Belle nuit ô nuit d’amour” by Jacques Offenbach.  In this concert edition, circa 1990 (thankfully, the over-sparkled singer fashion of the time has changed since), the divinas both come out hand in hand swinging and smiling ready to sing.  The delight and pure joy is of course, timeless, and as you can hear is contagious to the audience. 

Believe me when we say that though there maybe reports of “diva tendencies” backstage, this is generally how we react to other singers onstage, and off!  

With one look: “it’s time to PLAY!”

 

Goodnight, fellow Divas and Divini. Until next week! 🙂